Recognising Women’s Work as Creative Work
DOI:
https://doi.org/10.17892/app.2018.0006.124Keywords:
Ėsfir’ Shub, Elizaveta Svilova, Dziga Vertov, Rose Smith, D.W. Griffith, film editing, Soviet montage, early film, female editors, new cinema history, film history, feminist film studies, film production processes, creative practice, écriture féminineAbstract
The editorial article to the themed issue Women at the Editing Table: Revising Soviet Film History of the 1920s and 1930s
(Picture: Leeanna Walsman as Svilova, composing a sequence in 'Woman with an Editing Bench' ©2016 The Physical TV Company)
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Published
10-08-2018
How to Cite
Pearlman, Karen, and Adelheid Heftberger. 2018. “Recognising Women’s Work As Creative Work”. Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, no. 6 (August). https://doi.org/10.17892/app.2018.0006.124.
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Section
Editorial
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Copyright (c) 2018 Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe
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